Everything about Robert Dodsley totally explained
Robert Dodsley (
1703 -
September 23,
1764) was an
English bookseller and miscellaneous writer.
He was born near
Mansfield, Nottinghamshire, where his father was master of the free school.
He is said to have been apprenticed to a stocking-weaver in Mansfield, from whom he ran away, going into service as a footman. In 1729 Dodsley published his first work,
Servitude: a Poem written by a Footman, with a preface and postscript ascribed to
Daniel Defoe; and a collection of short poems,
A Muse in Livery, or the Footman's Miscellany, was published by subscription in
1732, Dodsley's patrons comprising many persons of high rank. This was followed by a satirical
farce called
The Toyshop (
Covent Garden, 1735), in which the toymaker indulges in moral observations on his wares, a hint which was probably taken from
Thomas Randolph's
Conceited Pedlar. The profits accruing from the sale of his works enabled Dodsley to establish himself with the help of his friends--
Alexander Pope lent him £100--as a bookseller at the "Tully's Head" in
Pall Mall in
1735.
He soon became one of the foremost publishers of the day. One of his first publications was
Samuel Johnson's
London, for which he paid ten guineas in 1738. He published many of Johnson's works, and he suggested and helped to finance the
English Dictionary. Pope also made over to Dodsley his interest in his letters. In 1738 the publication of
Paul Whitehead's
Manners, voted scandalous by the
House of Lords, led to a short imprisonment. Dodsley published for
Edward Young and
Mark Akenside, and in 1751 brought out
Thomas Gray's
Elegy.
He also founded several literary periodicals:
The Museum (1746-1767, 3 vols.);
The Preceptor containing a general course of education (1748, 2 vols.), with an introduction by Dr Johnson;
The World (1753-1756, 4 vols.); and
The Annual Register, founded in 1758 with
Edmund Burke as editor. To these various works,
Horace Walpole, Akenside,
Soame Jenyns, Lord Lyttelton,
Lord Chesterfield, Burke and others were contributors.
Dodsley is, however, best known as the editor of two collections:
Select Collection of Old Plays (12 vols., 1744; 2nd edition with notes by
Isaac Reed, 12 vols., 1780; 4th edition, by
William Carew Hazlitt, 1874-1876, 15 vols.); and
A collection of Poems by Several Hands (1748, 3 vols.), which passed through many editions. In 1737 his
King and the Miller of Mansfield, a "dramatic tale" of
King Henry II, was produced at
Drury Lane, and received with much applause; the sequel,
Sir John Cockle at Court, a farce, appeared in 1738.
In
1745 he published a collection of his dramatic works, and some poems which had been issued separately, in one volume under the modest title of
Trifles. This was followed by
The Triumph of Peace, a Masque occasioned by the Treaty of Aix-la-Chapelle (1749); a fragment, entitled
Agriculture, of a long tedious poem in
blank verse on
Public Virtue (1753);
The Blind Beggar of Bethnal Green (acted at Drury Lane 1739, printed 1741); and an ode,
Melpomene (1751). His tragedy of
Cleone (1758) had a long run at Covent Garden, 2000 copies being sold on the day of publication, and it passed through four editions within the year.
Lord Chesterfield is, however, almost certainly the author of the series of mock chronicles of which
The Chronicle of the Kings of England by "Nathan ben Saddi" (1740) is the first, although they were included in the
Trifles and "ben Saddi" was received as Dodsley's pseudonym.
The Economy of Human Life (1750), a collection of moral precepts frequently reprinted, is also by Lord Chesterfield.
In
1759 Dodsley retired, leaving the conduct of the business to his brother
James (1724–1797), with whom he'd been many years in partnership. He published two more works,
The Select Fables of Aesop translated by R. D. (1764) and the
Works of William Shenstone (3 vols., 1764-1769). He died at Durham while on a visit to his friend the Rev. Joseph Spence.
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